Andy Warhol Movies

Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes,...

Two nuns take a bath, then meet a sailor on the Staten Island Ferry.

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then...

The model Imu faces the camera straight on, her face framed in a helmetlike haircut. The bright light causes her to blink nearly continuously; there...

The musician and filmmaker Gino Piserchio is lit from the right and filmed in very tight close-up, his face filling the frame. His hair is combed...

Hal looks sternly into the camera in a darkly lit room.

Mexican actress Lupe Vélez's final hours as she overdoses on Seconal.

Scenes of Sausalito, California, including boats, the docks, and streets. Eventually, the setting turns to night and boats appear silhouetted against...

Bea Filter looks on from one side of the frame, directed by Andy Warhol

Warhol and scenarist Ronald Tavel offer a brutal vision of the Hollywood casting couch with this record of ingenue Mario Montez performing a...

Winthrop Kellogg ‘Kelly’ Edey, collector of antique clocks and watches, is shot from below, with Edey’s head tilted back and...

A kaleidoskopic image of Andy Warhol, presumably found footage from some interview, is slowed down and played over sudden pangs of screeching white...

"Andy Warhol's 1966 'sequel' to his Blow Job begins with a long static shot of Gregory Battcock looking bored; small movements of his head reframe...

Warhol plunked a horse named Mighty Byrd in the middle of the Factory for this dark, homoerotic take on the classic oater that later anticipates his...

A melange of casual talking, food fights, and folk singing. The film includes Eric Andersen with his guitar, singing his lines, and leading Edie...

Eric Andersen and his girlfriend Debbie Green are seated side by side in front of a wooden backdrop covered with paint splatters. they lean against...

Roderick Clayton looks around in all directions, squints into the light, peers upward, and turns to show both profiles.

Screen test of Henry Rago

1 of 2 screen tests of Dan Foster, by Andy Warhol

Screen test of Paul Wittenborn, by Andy Warhol.